The perfect pitchphenomenon is surrounded by many crazy ideas. The subject of perfect pitch in music still needs further research and learning to avoid contradictory opinions and theories. Many times, either opinions or theories stand to have merit.
For example, the first and foremost uncertainty about perfect pitch is whether it is an innate talent or something that can be studied and learned and if so, then how? Below are some such unusual opinions and theories about perfect pitch.
The most common misinterpretation is about the basic difference between perfect pitch and relative pitch. A person having the skills of relative pitch requires a reference note to understand the note that he or she hears. However, some experts say that relative pitch skills are above perfect pitch’s ability. However, both skills are completely different.
Another strange theory regarding perfect pitch is that in Asia, it is ordinary and simple for people to possess it. The tonal nature of Asian languages mostly is given as the reason here for this ability. An example usually mentioned is the Vietnamese language, where the meaning of a word changes with the change in the pitch on which it is pronounced. However, this is false and a tonal language does not work this way. For example, in the Chinese language, which is another tonal language, the vowel’s tonal shape and not the pitch alter the meaning. Thus, perfect pitch is not present in them.
Finally, the last theory is that perfect pitch depends on a person’s genes. This theory is however not completely crazy, as there are some persuasive evidence that for a perfect pitch one must posses a gene. Additionally, there is no strong evidence that this skill can be hereditary. Genetics may be an important factor in almost every human activity and in the perfect pitch’s case, it is more important.
For example, the first and foremost uncertainty about perfect pitch is whether it is an innate talent or something that can be studied and learned and if so, then how? Below are some such unusual opinions and theories about perfect pitch.
The most common misinterpretation is about the basic difference between perfect pitch and relative pitch. A person having the skills of relative pitch requires a reference note to understand the note that he or she hears. However, some experts say that relative pitch skills are above perfect pitch’s ability. However, both skills are completely different.
Another strange theory regarding perfect pitch is that in Asia, it is ordinary and simple for people to possess it. The tonal nature of Asian languages mostly is given as the reason here for this ability. An example usually mentioned is the Vietnamese language, where the meaning of a word changes with the change in the pitch on which it is pronounced. However, this is false and a tonal language does not work this way. For example, in the Chinese language, which is another tonal language, the vowel’s tonal shape and not the pitch alter the meaning. Thus, perfect pitch is not present in them.
Finally, the last theory is that perfect pitch depends on a person’s genes. This theory is however not completely crazy, as there are some persuasive evidence that for a perfect pitch one must posses a gene. Additionally, there is no strong evidence that this skill can be hereditary. Genetics may be an important factor in almost every human activity and in the perfect pitch’s case, it is more important.
